#145 Flork Reviews: UchafU - UchafU (2025)

Uchaf U - UchafU (Single, 2024) By Flork   A few days ago I received an email from Matus, one of the members of the band, asking if I’s be...

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Friday, February 21, 2025

#145 Flork Reviews: UchafU - UchafU (2025)



UchafU - UchafU (Single, 2024)
By Flork

 

A few days ago I received an email from Matus, one of the members of the band, asking if I’s be interested in listening to their new album.

Slovak alternative punk band UchafU makes a powerful entrance with their self-titled debut, a six-track release that blends raw intensity with progressive, leftist ideology. Hailing from Košice, the four-piece outfit (or possibly trio) delivers a high-energy, uncompromising record that feels both aggressive and deeply reflective, touching on themes of societal decay, existentialism, and political hypocrisy.

UchafU’s sound is a fusion of classic punk urgency with modern alternative and post-hardcore sensibilities. I quite like the production as it leans on the raw side, capturing the immediacy of a live performance, but without sounding unpolished. The guitars are sharp and angular, while the basslines groove with a nervous energy that give an anxious feel to the melodies. Vocally, there’s a mix of shouted frustration and actual singing, which add depth to the band’s message. While not overly polished, the roughness serves the album’s themes perfectly—this is punk in its purest, most visceral form.



 

The album kicks off with Malometráž, a slower yet still powerful opener that builds tension before exploding into jagged riffs and pounding drums. The lyrics seem to critique the suffocating nature of urban life and economic struggle, evoking images of cramped apartments and dwindling opportunities.

Darwinove Ceny” follows with sarcastic, biting lyrics targeting reckless human behavior and the absurdity of self-inflicted destruction. The song’s structure is more melodic, almost danceable in parts, making the cynicism hit even harder.

Bardo Thödol”, the album’s philosophical centerpiece, references the Tibetan Book of the Dead. Its meditative yet chaotic structure mirrors themes of rebirth and transition, alternating between spoken-word sections and explosive instrumental surges. The song stands out as the most experimental, showcasing UchafU’s ability to blend punk aggression with introspective depth.

Šetrič” takes a jab at modern consumer culture, with lyrics critiquing people’s obsession with convenience and digital escapism. The chorus is particularly infectious, making this one of the catchier tracks on the record.

The frantic “Nespavosť” (meaning Insomnia) is a two-minute burst of pure adrenaline, capturing the mental and physical toll of sleeplessness. The lyrics feel disjointed, almost delirious, mirroring the racing thoughts of a restless mind.

Closing with “Antisemita”, the album ends on its most confrontational note. Clocking in at just 1:42, the track is a blistering takedown of bigotry, delivered with hardcore punk speed and fury. The raw emotion in the vocals, paired with pounding drums and distorted guitars, ensures the message is unmistakable.

Final Thoughts

With UchafU, the band has crafted a debut that is as thought-provoking as it is sonically ferocious. While the production remains intentionally rough around the edges, the energy and conviction more than compensate. Their fusion of punk aggression with intellectual and political themes makes them stand out in a genre often defined by simplicity.

For fans of Refused, Idles, and early Fugazi, UchafU offers a fresh but uncompromising take on alternative punk. If this debut is any indication, they’re not just making noise—they’re making a statement.

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